The 3 Submissions Every Purple Belt Should Drill Before Brown — And Why 2 Of Them Aren't What You Think
By House of Grapplers Newsroom — sourced from House of Grapplers
You're stalled at purple belt because you're drilling the wrong *version* of the right submissions
The purple belt malaise is real. You've got the breadth – a solid grasp of your A-game, enough answers to avoid white belt traps, and some flashes of brilliance. But the progression feels like a grind, not a flow. You're told to "work your weaknesses," which often translates to adding more techniques to an already overflowing mental database. The problem isn't your breadth, it's your depth. You're not short on tools; you're short on understanding how to use the tools you already have to dismantle a truly resisting, experienced opponent.
[!TLDR] Purple belts often plateau by focusing on quantity over quality in their submission drilling; re-examining the mounted triangle, kimura as a positional lever, and the straight ankle lock as a system reveals crucial underlying principles of pressure, control, and chaining that are essential for progressing to brown.
This isn't about learning new submissions; it's about dissecting three fundamental ones that the average purple belt consistently under-drills, not for their obvious finish, but for the diagnostic lessons they provide. They expose critical gaps in your pressure, your positional control, and your ability to chain attacks. Master these principles, and brown belt becomes less about a new syllabus and more about a refined understanding of what you already know.
The Mounted Triangle: Not Just a Submission, It's a Pressure Test
The mounted triangle is often seen as a flashy, opportunistic submission from a dominant position. Most purple belts drill the mechanics: pin an arm, scoop the head, hip switch, lock the triangle. They get it in drilling, sometimes in rolling, and then struggle against opponents who recognize the threat early and defend. The common diagnosis is "you need to be faster," or "your opponent is too flexible." That's a misdiagnosis. The mounted triangle, when executed correctly, isn't just a submission; it's a multi-faceted examination of your mount pressure, your ability to break posture, and your understanding of dynamic weight distribution.
What you're missing is not speed, but the systemic breakdown of your opponent's frame before the lock. A truly effective mounted triangle, like those seen in Gordon Ryan's methodical approach to mount offense [^1], begins long before your leg swings over the head. It's about systematically removing frames, forcing reactions, and then punishing those reactions with impeccable weight distribution. Your first leg over isn't a commitment to the finish; it's a positional adjustment, creating an inescapable angle and trapping the head and arm. The pressure should be so overwhelming that the opponent's only option is to expose the arm or neck for other attacks, not just the triangle.
The mistake at purple belt is often treating the mounted triangle as a distinct, isolated submission rather than the natural culmination of overwhelming mount control. You try to force the lock, losing the very pressure that made the position viable. The actual battle for the mounted triangle is won in the details of the initial transition – securing the head and arm, ensuring the opponent's hips are pinned, and then leveraging your weight to maintain stability as you swing. If you're losing mount when attempting this, your hip control is insufficient, not your finishing mechanics.
The Kimura: From Submission to Positional Lever
Most purple belts know the kimura as a shoulder lock, primarily from side control or half guard. They drill the grip, the rotation, the finish. But a kimura grip, as taught by John Danaher in his "Enter the System" series [^2], is far more than just a submission hold. It's a foundational positional lever — a control mechanism that destabilizes an opponent's entire structure, opening pathways to the back, mount, and even advanced leg entanglements. This is where the "not what you think" aspect truly shines.
The common purple belt error is isolating the kimura grip to a submission attempt. You get the grip, you try to wrench the arm, and if it fails, you often lose the grip and the position. This is inefficient. Instead, consider the kimura grip as a superior two-on-one, giving you unparalleled control over the opponent's posture, base, and mobility. From side control, securing a kimura grip isn't just about bending the arm; it's about using that grip to flatten the opponent, strip their ability to frame, and then, crucially, to roll them towards their back for a seatbelt entry or to force a turtle that gives you immediate back access.
The deeper lesson here is about using a submission threat to achieve positional dominance. If you get a strong kimura grip from side control, your first priority shouldn't be the finish. It should be to use that grip to make your opponent's life miserable positionally. Drag them, turn them, prevent them from recovering guard. As soon as they react to save their arm, you transition. Renzo Gracie, a pioneer in applying kimura principles, often stressed that the true power of the grip lies in its control over the opponent's posture and balance, not just the shoulder joint itself. You can use it to pass guard, sweep from bottom, or even set up leg attacks.
"The kimura is not just a submission. It's the highest percentage method of taking the back from top side control." — John Danaher, BJJ Fanatics 2018
The Straight Ankle Lock: An Entry to the Lower Body System
The straight ankle lock, or straight footlock, is a staple submission taught early in a grappler's journey. By purple belt, most have a decent understanding of the mechanics. Yet, how many purple belts have a system for it? More often, it's an opportunistic grab and pull, executed from half-guard or a broken open guard. This is fundamentally incomplete and why it's "not what you think." A true straight ankle lock attack, as developed by pioneers like Dean Lister [^3] and refined by specialists like Craig Jones [^4], is an entire lower body attacking system, not just a single tap.
The common purple belt error is neglecting the setup, the off-balancing, and the follow-ups. You grab the foot, bridge, and pull, hoping for a tap. Against a savvy blue belt, maybe. Against a brown or black belt, you're just giving them a chance to escape, reset, or counter. The effectiveness of the straight ankle lock lies in its ability to break your opponent's base and posture, forcing them to distribute their weight poorly, making them vulnerable to sweeps, positional transitions, and, ultimately, the submission.
The deeper lesson for the purple belt is to view the straight ankle lock as the entry point to a web of lower-body attacks. You don't just grab the foot; you control the leg line, you break the opponent's ability to base, and you threaten the ankle lock to force a reaction. That reaction, whether it's turning away, pulling the leg back, or trying to stand, then opens the door to heel hooks, knee bars, or sweeps that can take you to dominant positions. Lachlan Giles, in his comprehensive leg lock instructionals [^5], emphasizes breaking the opponent's posture and creating a "foot line" where the entire body's weight is loaded onto the ankle, rather than just pulling on the foot. The threat of the ankle lock becomes a powerful control mechanism, allowing you to cycle through various attacks without losing connection.
These three submissions, when understood beyond their surface-level mechanics, represent critical checkpoints for a purple belt aspiring to brown. The mounted triangle demands impeccable pressure and transitional control. The kimura demands an understanding of how to use a submission grip as a positional lever. The straight ankle lock demands a systemic approach to lower body attacks. Stop drilling these techniques in isolation. Start integrating them as diagnostic tools for your overall game, revealing and shoring up the fundamental weaknesses that are holding you back. Focus on the why and the how of the setup and control, not just the what of the finish. Do this, and the brown belt will find you.
References (1)
[^1]: Ryan, Gordon. "Systematically Attacking The Mount." BJJ Fanatics. (Accessed via BJJ Fanatics, widely available instructionals) [^2]: Danaher, John. "Enter The System: Kimura." BJJ Fanatics. (Accessed via BJJ Fanatics, widely available instructionals) [^3]: Lister, Dean. "The K.A.T.C.H. System." BJJ Fanatics. (Accessed via BJJ Fanatics, widely available instructionals) [^4]: Jones, Craig. "The BJJ Fanatics Leg Lock Anthology: 50/50." BJJ Fanatics. (Accessed via BJJ Fanatics, widely available instructionals) [^5]: Giles, Lachlan. "Leg Lock Anthology: The Foot Lock." BJJ Fanatics. (Accessed via BJJ Fanatics, widely available instructionals)
This article was researched and drafted by the House of Grapplers Newsroom AI from publicly reported source material. Names, dates, and results were verified against the original report linked above.
- armbar
- kimura
- mounted-triangle
- purple-belt
- brown-belt
Discussion·4 replies
- Member·5h
Alright, HoG, let's talk about this purple belt "malaise" and the article's proposed cures. I appreciate the premise – that purple belt isn't about more techniques, but deeper understanding. That's a solid take, and the distinction between a submission as an isolated finish versus a systemic tool is important.
However, calling the mounted triangle a "pressure test" and the kimura a "positional lever" is great framing, but it sidesteps a critical point when it comes to drilling for purple belts. The article leans heavily on Danaher and Gordon Ryan, which is fine, but it implicitly assumes every purple belt is training under a system with that level of granularity in their curriculum. Most aren't. They're getting those moves taught in isolation precisely because their instructors, while excellent, aren't running through a ten-part DVD series on mounted triangle theory.
Here's my beef: the article suggests that purple belts are misdiagnosing their problems with these techniques. I'd argue it's the curriculum itself that often sets them up for this "malaise." When you're taught the mounted triangle as a discrete finish, and not as the culmination of 80% positional breakdown, how is a purple belt supposed to intuit the latter? It's like teaching someone to cook a soufflé by just showing them how to put it in the oven, then wondering why their soufflés collapse. The problem isn't their understanding of the oven; it's the missing information about egg whites, folding, and temperature control.
And the kimura as a "positional lever"? Absolutely. But again, where are purple belts consistently getting that specific, detailed instruction outside of a very specific pedagogical lineage? My money says most purple belts are still being taught the kimura as a submission first, and maybe a sweep second, if their instructor is really on it. The idea that you should be using it to proactively chain to the back or even leg entanglements is a high-level concept. It's not something you just "drill deeper" into; it's a paradigm shift in how you view the grip, and that usually requires explicit, systematic instruction.
So, while I agree with the spirit of the article – that purple belts need depth over breadth – I think the problem isn't that they're under-drilling the right things, it's that they're often not being taught the right things to drill in the first place, or perhaps more accurately, the context in which to drill them. This isn't a purple belt failing; it's a curriculum design challenge.
What do you all think? Are purple belts expected to just figure out these deeper connections, or should instructors be more explicit about teaching submissions as parts of larger systems?
This emphasis on the mounted triangle as a diagnostic tool for pressure and breaking posture is a good point, but it's not entirely new. Rolls Gracie, from what I've read and seen in old footage, really valued understanding how to use mount to dismantle an opponent's structure before the finish. He was all about the setup, not just the submission itself. I think a lot of the '90s Carlson Gracie guys also focused on creating that complete positional breakdown from mount, whether it was for a cross-collar choke or an armbar. The submission was the result of overwhelming pressure and control, not the primary goal from the start. It reminds me of the old adage about taking what they give you, but first, you have to force them to give something.
The mounted triangle discussion is interesting, and the article points out something GB fundamentals doesn't really touch on. We learn the basic triangle from guard in week 3 of the fundamentals program, but the mounted triangle isn't in our curriculum until the advanced classes. Even then, the focus is mostly on the mechanics of getting the arm and throwing the leg over, not really on breaking the opponent's posture and frames before the setup. I get what HoG Drama Desk is saying about depth, but the mounted triangle really highlights how some techniques are taught more as finishes than as part of a bigger system. We're shown the 'what,' but not always the 'why' behind the pressure needed to make it work against someone who knows what's coming.
I’m a blue belt so I'm not really looking at purple belt specific stuff yet, but I found the point about breaking down posture before committing to the mounted triangle super interesting. We did a sequence last Tuesday where our coach had us working on using knee-on-belly to force a reaction, then switching to S-mount for the arm triangle. It sounds like a similar idea of breaking down their defense and frames first.
My biggest issue with mounted triangles when I go for them is almost always them just bench-pressing my leg off and then getting to half-guard. I wonder if focusing on those smaller details the article brings up, like taking away frames, would help me even at my level with just getting to a stronger S-mount. Eli, the idea of Rolls Gracie teaching something similar definitely backs up the idea that these principles are timeless.
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